Plot Line B?

Tenchi Masaki

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Well design quality and durability is all that matters with computers and Wacom is better than Huion. So hopefully it lasts longer though you’ll have to learn how to use it which is probably frustrating.
 

systemcat

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This is the last page of Greenfinger's short inside the story. Next up things return to the present and the second plot line.



On a separate note and do request a link to this if you want to hear it. Last night I finished the editing for the audiobook adaption of Accepting and Escaping Tomorrow. This morning was creating the file / making it's size smaller, and by the early afternoon publishing it online. Only Julie Justice gave B-Side Tracks a review. Both Mr. Wilhelm and myself are grateful at least one person heard the work. .... I swear the rest of the internet thinks it will catch Covid-19 if they dared left feedback. Voice work and sound engineering are not easy jobs.
 

systemcat

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I've lost a bit of hope people are caring I'm presenting these pages at all. It's been pages since anything was said. Either it's because of the inside short that wasn't set in the present, my failure to nod to The Shadow, or I'm just being an awful story teller.

... This page returns the plot back to line B.



This page is the first time Sydney has appeared in the comic pages of the series. She first appeared in Devil's Blood ( which recently earned a Daily Deviant ). Bruce also appeared in that story but did appear in Iron and Steel too. These guys are Finch's preferred goons / human friends.

I guess the audiobook adaptation for Accepting and Escaping Tomorrow was a fail too. 🙁
 
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Tenchi Masaki

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I’m pretty sure the only one being silent about the shadow is @Deric Storm. :D but your art is great as always and the more information you give your characters the better. Most people are not going to comment on what you do but they appreciate it nonetheless. You should probably try to get your work made into an actual comic, changing things where necessary to avoid copyright issues.
 

systemcat

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Thank you and I know the forum's Like system. I just happen to enjoy hearing people's words, good or bad in review.

Doing the little side stories like what was done with Iron and Steel, just felt right to continue. I would love to have my work printed as an actual comic book. The last time that happened was back in high school. An original comic series I was working on at the time. I made one special story that was self published with ten prints done for it.

I know what you're saying about changing character names for the sake of avoiding copyright trouble. What gets me is one of my popular characters to the AU, likely could get granted easy copyright permission. No one likes the canon Corporal Capeman, even myself. The character is considered a black eye to the fandom. But because my AU Corporal Capeman is so different, Alan Engenis. The AU version has been complimented on many times even earning two other other Capeman versions to fan fiction I didn't write, where the authors asked me permission to use the name Alan on the character. Plus fan art I'd repost here if internet etiquette was different.

Right now I'm through a little over half the rough line art to page 86. Drawing the positioning has been interesting & fun. Strangely drawing Sydney on the barbell on a side view was figured out easily.
 

systemcat

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Is there some kind of a cut off time when you aren't supposed to say anything in the chat area? More than once I've spoken up in it. Only for the comment to be passed over completely until the next day when it seems invisible even though it's logged & new chatting starts among others.

I finished this page last night but last night was ultra busy. Dealing with prepping a large crockpot meal and working on art un-related to this project.

 

systemcat

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I'm not going to make my author comments about these pages now unless asked to explain details behind the page. Silent reading doesn't tell me details of what people want to know.

I wrapped this page up late last night. Right now I'm about to check the mail and then work on that non-related art mentioned before. ... I don't know what of this is going online. If the author plans to finish his project, and what I've provided is used. I got roped into providing some graphics to a PC videogame currently hidden from sight by the internet at large. Today will be making an animation and drawn played out concept for one of it's monsters.

 

Lucy

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Review: your drawings are great and you always have a solid storyline. I enjoy how you draw human bodies too 'cause I've been trying to draw them most of my life with no luck. I was surprised about the throats being slit line because I'm not used to reading those kinds of stories but it was delightful. <3
 

systemcat

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Thank you for the review 😃, and there is a lot more content left to this story on it's whole. I am very curious to know if people have started connecting dots together yet about things happening.
Please forgive but I don't understand your comment about the throats being a slit line as to a kind of story. Please clear it up to me what that means? 😗

I just got through making the creature animation meant for the videogame. Next up is starting on page 89.
 

Lucy

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Thank you for the review 😃, and there is a lot more content left to this story on it's whole. I am very curious to know if people have started connecting dots together yet about things happening.
Please forgive but I don't understand your comment about the throats being a slit line as to a kind of story. Please clear it up to me what that means? 😗

I just got through making the creature animation meant for the videogame. Next up is starting on page 89.
Maybe I took it the wrong way but the slit the throat line. I'm not use to seeing characters make those kinds of comments in a story, but I'm not saying that as a negative. I'm just saying that I'm not really use to people talking about someone else doing things like that to them but I like the story nevertheless.
 

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    @Lucy , I need to make another short to help with the buffer for Comic Fury. The best idea to quickly producing a comic would be the B & W route again. Already I have a basic plot figured out. I have no idea if you've read Vocal Canvases or not. But in that story the roots of ACME are touched on for the AU. What would you think of a story set in 1901 in India using Jocelyn & Patrick and Raj Mahal? Part of the plot idea is coming from a Classic IG story.
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    Something those of you who follow my work might get a kick from in my forgetfulness. The start of Loaded Stone was the last time I thought I'd ever be drawing Jocelyn in comic presentation. Because she's being brought back that way for the short. ... In character design she is the only one of the whole AU I have to remember how to have hand use dominance. I forgot which side here before looking back at older drawings to make the correction. This ghost arm in rough art clearly will not be in the final presentation of page 1.
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    I know it's taking sometime for me to finish B&W pages, that normally wouldn't take much time. Please note in the background I'm working on another audiobook and nightly have been writing Shattered. ... Please someone say they care about the hard work being put in? You could even look an a detailed map of San Francisco and know what is being story refenced. 🙁
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