@Silver, I understand that, yes. From experience, speaking and writing a language come from vastly different fundamentals. It's often better to pick one path first. If you wish to speak, interact with a native speaker. If you wish to learn to write, then first learn to read.
leaning to speak the language to me would be easier. The few broke sentences that I've learned to speak were self taught and to learning to speak native language it's harder to learn by yourself then when you have someone who's teaching you the proper way to pronounce the words.
I learned Castilian Spanish, and it's quite an adjustment to decipher a Latin American Spanish speaker. Similarly, I can only understand Quebecan French after some adjustment period.
A friend and I met a couple from Canada in Paris and we had lunch, my friend commented to me: "They understand everything we say but I barely understand them, this is crazy."
@Morgan same in reverse with castilian vs. latin american spanish. french i have an easier time with since i learned mainly european french, but most of my francophone friends are canadian (either québecois or acadian).
fun fact: linguists don't actually use the term dialect, and instead use the word variety, for two reasons. one, it has negative connotations to some people. two, it suggests that there are hard lines between languages, and dialects are strictly within those boundaries, which isn't the case.
I once attempted to speak Latin American Spanish with a lost tourist from Argentina for nearly 15 minutes before I learned she spoke English very well.))
popularized by a Twitter account in 2010. It is named after the misunderstood giant in the 2003 film Big Fish. Older or alternative terms used locally include simply "the fog" or sometimes "Big Mama", Seasonal Names: It is often associated with the terms "June Gloom" or "Fogust" due to its prevalence in the summer months.
Did you know....the horns on the viking's helmets are a myth? The popular image of the "horned Viking" can be traced back to the 1870s. Costume designer Carl Emil Doepler created horned helmets for Richard Wagner’s opera cycle Der Ring des Nibelungen to enhance the characters' theatrical presence. (I BELIEVE in the Where in Time game, they tell us this too....)