Chase
Director
(OOC: This is a story post agreed to by those involved, it wraps up a part the RP and was edited by Vic, Mikal, and Carmen. Thanks for helping, everybody.)
Being an obscured sentimentalist, Chase secretly knew the words to Blue Moon... along with several tunes that were categorically elevator music. At one time, he had learned them to impress his parents--a feat he never considered very useful.
As the song slowed, and he began to move Missy out of the dance floor, Devineaux caught sight of Giulio Sarno, who nodded a greeting in return.
Midnight was fast approaching. Venice's Public Relations Officer, Jeffery Bruno, representing the Major, stood at his microphone announcing the countdown.
"Missy," Chase said in a hushed, distracted voice, "hang on a minute?"
He left his dance partner's side and, following the direction of Sarno's glance, headed straight for a woman clad in red.
Back in June of 2009, the Mayor of Venice met with Chase Devineaux after the successful return of several artifacts along with the capture of core members belonging to an Albanian-Italian syndicate. Casual talks to secure additional members escalated into a plan of action as the detective was introduced to Pascal Thierro, of the The Agenzia Informazioni e Sicurezza Esterna (AISE).
This plan was to host a ball, an exclusive invitations-only masquerade. They would convince Miles Garatti to display his coveted Mask of Helen. It would be an art exhibition like no other, with additional highly skilled works from various famous modern artists. Few notable crime syndicates would refuse the chance... in theory.
As the New Year closed in, the plan gained momentum.
Skilled Special Agents situated in major cities throughout Europe posed as Italian dignitaries. The man assigned to the name Giulio Sarno stayed at the Churchill in London. To avoid entrapment, Devineaux strictly forbid all agents to make direct contact with possible suspects. While Carmen Sandiego was not a suspect particularly on radar, she conveniently approached Sarno.
She took the 'bait', and as other crooks with false invitations were discretely rounded, V.I.L.E.'s near authentic papers allowed them a few hours to spare.
Thirty minutes before midnight, Giulio Sarno said the phrase "Ne vale la pena?" indicating someone was in the museum. No security system would work as well as carefully positioned observers. The infiltrators were identified by only their characteristics, a short blond man in a tuxedo, a harlequin, and a woman in a red dress, as Sarno pointed out. Despite the parallels, Chase convinced himself that a V.I.L.E. heist would involve much more fanfare.
The closer he moved towards her, the more doubtful he was of his own conclusions.
"Ten!" the crowd shouted along with Jeffery Bruno as the seconds ticked, "Nine!"
"Carmen," he called to her back, hoping somewhat that the clamor drowned out his voice. At the same time, Devineaux removed his mask; Sarno did the same, followed by the public relations officer on stage who prompted everyone in the crowd to remove their masks on cue.
By the time the first fireworks short up, a distant cheer emitted from the public party across the canal, but the pavilion stayed silent.
According to plan, only members of the Italian government, law enforcement, and ACME agents remained after the museum had closed, and all but V.I.L.E. had unmasked faces.
Being an obscured sentimentalist, Chase secretly knew the words to Blue Moon... along with several tunes that were categorically elevator music. At one time, he had learned them to impress his parents--a feat he never considered very useful.
As the song slowed, and he began to move Missy out of the dance floor, Devineaux caught sight of Giulio Sarno, who nodded a greeting in return.
Midnight was fast approaching. Venice's Public Relations Officer, Jeffery Bruno, representing the Major, stood at his microphone announcing the countdown.
"Missy," Chase said in a hushed, distracted voice, "hang on a minute?"
He left his dance partner's side and, following the direction of Sarno's glance, headed straight for a woman clad in red.
Back in June of 2009, the Mayor of Venice met with Chase Devineaux after the successful return of several artifacts along with the capture of core members belonging to an Albanian-Italian syndicate. Casual talks to secure additional members escalated into a plan of action as the detective was introduced to Pascal Thierro, of the The Agenzia Informazioni e Sicurezza Esterna (AISE).
This plan was to host a ball, an exclusive invitations-only masquerade. They would convince Miles Garatti to display his coveted Mask of Helen. It would be an art exhibition like no other, with additional highly skilled works from various famous modern artists. Few notable crime syndicates would refuse the chance... in theory.
As the New Year closed in, the plan gained momentum.
Skilled Special Agents situated in major cities throughout Europe posed as Italian dignitaries. The man assigned to the name Giulio Sarno stayed at the Churchill in London. To avoid entrapment, Devineaux strictly forbid all agents to make direct contact with possible suspects. While Carmen Sandiego was not a suspect particularly on radar, she conveniently approached Sarno.
She took the 'bait', and as other crooks with false invitations were discretely rounded, V.I.L.E.'s near authentic papers allowed them a few hours to spare.
Thirty minutes before midnight, Giulio Sarno said the phrase "Ne vale la pena?" indicating someone was in the museum. No security system would work as well as carefully positioned observers. The infiltrators were identified by only their characteristics, a short blond man in a tuxedo, a harlequin, and a woman in a red dress, as Sarno pointed out. Despite the parallels, Chase convinced himself that a V.I.L.E. heist would involve much more fanfare.
The closer he moved towards her, the more doubtful he was of his own conclusions.
"Ten!" the crowd shouted along with Jeffery Bruno as the seconds ticked, "Nine!"
"Carmen," he called to her back, hoping somewhat that the clamor drowned out his voice. At the same time, Devineaux removed his mask; Sarno did the same, followed by the public relations officer on stage who prompted everyone in the crowd to remove their masks on cue.
By the time the first fireworks short up, a distant cheer emitted from the public party across the canal, but the pavilion stayed silent.
According to plan, only members of the Italian government, law enforcement, and ACME agents remained after the museum had closed, and all but V.I.L.E. had unmasked faces.